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Poetry UOS Grade 5 Reading Lesson 3 April 1, 2010

Filed under: Poetry,reading workshop,units of study — bestbookihavenotread @ 9:57 am
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Reading Lesson 3: Reflecting on What We Know About Poetry

Materials

• “What Is Poetry,” page 410, in Guiding Readers and Writers by Irene Fountas and Gay Su Pinnell (read beforehand)

• Chart paper titled “What Is Poetry?”

• Student copies of a few poetry examples of your choice

• Students’ “Poetry Pass” graphic organizers

• Students’ comparing and contrasting prose and poetry information from Lessons 1-2

Intended Learning

• Students recognize what they already know about poetry elements.

Big Ideas

• Understand elements of poetry, including word choice, rhythm, rhyme, imagery, metaphor, and visual design.

Mini-Lesson

Connection

Tell students that during the past two days, through the “Poetry Pass” and comparing and contrasting prose and poetry, they exposed many important poetry elements. During this lesson, they create a class chart of all those elements and continue to add to it as we learn more throughout the unit.

Teaching

To understand what poetry is and appreciate it, students need to hear and experience a wide variety of poems.

Read aloud a poem you chose to students. The purpose is for pure enjoy-ment of poetic language. No introduction to the poem is necessary. Simply tell students the poem’s title and read it aloud twice.

After the reading, ask students to take a minute to look at their work from the last two days and think about what they know for sure about poetry. Give students another minute to “Turn and Talk” about it with partners.

Active Engagement

Using information gathered from graphic organizers in the past two lessons and conversations heard during “Turn and Talk,” begin a class “What Is Poetry?” chart (see sample at the end of this lesson). Remind students they will add to this chart for the rest of the unit.

Link

Tell students they now know what poetry is. During independent reading, students work in pairs to read poetry aloud to one another. Although the focus is to enjoy poems, encourage them to read to capture poems’ feelings and rhythms. Before students are released to work, read them the section “What is Poetry” p. 410 from Guiding Readers and Writers by Fountas and Pinnell.

Independent and Small Group Time

• Students read independently from poetry books and/or teacher-selected poems.

• Confer with individual students and/or provide small group instruction.

Sharing/Closure

• Partners share poetry they enjoyed today with another pair of students.

What Is Poetry?

• Has line breaks

• Creates images in readers’ minds

• Creates emotion

• Is generally short pieces of writing

• Uses powerful language

• Uses figurative language such as similes and metaphors

• Uses random indentions

• Has different line lengths

• Songs are poems paired with music

 

Poetry UOS Grade 5 Lesson 2 Writing March 31, 2010

Filed under: Poetry,units of study,writing workshop — bestbookihavenotread @ 9:55 am
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Writing Lesson 2: Using the Writing Notebook-Creating Poetic Languages and Phrases

Materials

• Note cards cut into strips

• Four or five mentor poems of your choice

• Students’ writing notebooks to access “interesting, engaging, or intriguing words and phrases” from Lesson 1

• Lists of words from Skills Block lesson, such as nouns, verbs, adjectives, “small words,” endings (optional)

• Overhead samples of words on strips

• Teacher’s writing notebook with pre-written poems or poetic phrases

Intended Learning

• Students use interesting and engaging words to create poems and/or poetic phrases to develop a clearer sense of poetic language.

Big Ideas

• Develop awareness of sounds of words and rhythm of phrases.

Mini-Lesson

This lesson borrows the idea of a magnetic poetry kit, allowing students to experiment with words and phrases to create poetic rhythm, images, mood, and so on.

Connection

Connection

Remind students that poets select and use words and phrases in ways that create images, mood, rhythm, and emotion.

Select and read four or five phrases or short poems from your mentor poems demonstrating this statement.

Teaching

Tell students they will write words from their interesting words lists on tickets (i.e., note card strips). Explain that you have also cut word strips from the Skills Block lesson where students listed words representing parts of speech. They will use their words, borrowed words from their partners and classmates, and words from the Skills Block lesson to create poems or poetic phrases.

Tell students they may have seen this idea before: using magnetic words to create poems. Spread out some overhead sample word strips.

Demonstrate how to pull some word strips together to create a poem or poetic phrase inspired by some mentor poems. Explain how when you created a small poem or phrase you really liked, you copied it into your writing notebook.

Hold up your writing notebook to show students where you wrote five or six short poems or poetic phrases created from word strips.

Active Engagement

Students copy interesting words from their writing notebooks onto word strips and cut out ones they prepared from the Skills Block lesson. Allow students about 10 minutes (but no more than 15) for this part of the lesson.

Students may not have time to copy and cut out all of their words, but it is more important to move into the “creating poetic language” phase than having every word on a strip.

Link

Give students guidelines and time limits for copying and cutting out words. Students may borrow words from their partners if needed. Tell students they do not need to copy all words they wrote in their notebooks, only those they especially like.

Let them know, however, everyone needs a minimum of five or six short poems or poetic phrases written in their notebooks by the end of Independent and Small Group Time.

Independent and Small Group Time

Students work independently or with partners to create short poems or poetic phrases.

Sharing/Closure

• Students share with partners some short poems or poetic phrases they created and wrote in their notebooks.

• Several students share out one or two of their favorites with the whole group.

 

Poetry UOS Fifth Grade Reading Day 2

Filed under: Poetry,reading workshop,units of study — bestbookihavenotread @ 9:52 am
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Reading Lesson 2: Immersing Ourselves in Poetry

Materials

• Chart paper to create “Comparing and Contrasting Poetry and Prose” graphic organizer (see end of this lesson)

• Teacher-selected poem for read aloud (see Reading Resources in Unit at a Glance)

• Overhead of example of familiar prose

• Student copies of a few poetry and prose examples

• Students’ “Poetry Pass” graphic organizers from Lesson 1

Intended Learning

• Students learn to verbalize differences and similarities between poetry and prose to deepen their understanding of poetry.

Big Ideas

• Understand elements of poetry, including word choice, rhythm, rhyme, imagery, metaphor, and visual design.

Mini-Lesson

Point out how both poetry and prose “create imagery” or “paint a picture in readers’ minds” and touch readers’ emotions. Point out poetry just accomplishes it with less, yet more powerful language and word choice.

Connection

Review yesterday’s discoveries from the “Poetry Pass” by allowing students to look over their graphic organizers and briefly review the “Scan, Snippet” column to recall what they noticed about poetry. Tell them they will use what they noticed yesterday and their prior knowledge of poetry to record similarities and differences between poetry and prose.

Teaching

Read aloud the poem you chose so students experience the words’ sound and rhythm. After the reading, ask them to think how this poem compares to prose. You may mention a particular piece of prose students are familiar with. Allow students to “Turn and Talk” to partners about their ideas.

Begin a “Comparing and Contrasting Poetry and Prose” graphic organizer (see end of this lesson) on chart paper.

Distribute and take a minute or two to study poetry and prose samples with the class, using samples the class has seen and read before. Think aloud about similarities and/or differences you notice.

Fill in the “Comparing and Contrasting Poetry and Prose” graphic organizer with ideas gathered from the poem and the overhead example of prose. For example, you might say “I noticed poetry has different line lengths, but in prose, the lines go until the end of the page.” Then write those ideas on the organizer.

Also model including ideas similar to both forms of writing, such as “I noticed the poem I read has figurative language such as a simile. We see figurative language in prose also.” Remind students a simile is when authors compare dissimilar two things using like or as. Then write this idea in the “Both” column.

Invite one or two students to share their ideas and add to the organizer. You will refer to the chart to elaborate on ideas presented throughout the lesson, so scaffold their responses to ensure all important ideas are reflected on the organizer, which include visual design of poetry, cadence, rhythm, author’s point

Active Engagement

Students “Turn and Talk” about other similarities and/or differences they notice in the two samples. Ask one or two student pairs to share their findings and record their information on the class organizer.

Link

During independent reading, students copy the “Comparing and Contrasting Poetry and Prose” graphic organizer format into their reading notebooks. Pass out several poetry and prose selections to students to read and use their graphic organizers to chart and record other ideas that the group may not have highlighted.

Independent and Small Group Time

• Students read independently from poetry books and/or teacher-selected poems.

• Confer with individual students and/or provide small group instruction.

Sharing/Closure

•Invite students to share similarities and differences they noticed between prose and poetry that the group did not notice or record earlier.

Comparing and Contrasting Poetry and Prose

Poetry Both Prose
Has line breaks Have similes Lines go to the end of the page.
 

Poetry UOS grade 4 Writing Lesson 1 March 29, 2010

Filed under: Poetry,units of study,writing workshop — bestbookihavenotread @ 5:44 pm
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Writing Lesson 1: Using Notebook Entries to Inspire Poems

Materials

Overheads and/or student copies of “Figure 10-8A. Belinda’s notebook entry” and “Figure 10-8B. Belinda’s first draft (The No-Nonsense Guide to Teaching Writing by Davis & Hill)

Intended Learning

• Students use entries in their writing notebooks as seeds for writing poems, so they can expand on topics interesting to them or consider them in new ways.

Standards (Benchmarks)

  • Write responses to literature that summarize main ideas and significant details and support interpretations with references to the text.
  • Use full range of strategies to comprehend a variety of texts, such as nonfiction, poems, and stories.
  • Generate writing ideas through discussions with others and from printed materials.
  • Plan, draft, revise, and edit writing.
  • Produce informal writings (e.g., messages, journals, notes, and poems) for various purposes.

Big Ideas

• Use techniques to craft poetry, including line breaks, literary language, and imagery.

• Select language carefully to create images, mood, and impressions.

• Develop awareness of sounds of words and rhythm of phrases.

Mini-Lesson

Connection

Tell students they can use entries from their writing notebooks to write poems. Today they create poetry from previous entries.

Teaching

Tell students rereading previously written notebook entries can provide inspiration for writing poems. Sometimes a topic, a line, or a description can give them ideas for writing poems.

Show students “Figure 10-8A. Belinda’s notebook entry,” page 162. Read the entry to students. Show them “Figure 10-8B. Belinda’s first draft,” page 162. Read the poem aloud.

Facilitate a discussion with students about how Belinda used her notebook entry to inspire a poem. Point out words or phrases she lifted from her notebook entry and included in the poem as well as how she rephrased ideas and feelings.

Active Engagement

Ask students to work with partners to look through their notebooks to find entries they could use to inspire poems. Students might want to circle words or phrases they might use in their poems.

Link

Have students continue the work they started with their partners. After searching through entries, students should try to write poems inspired by these entries. Encourage students to experiment with writing poetry just for the fun of it.

Independent and Small Group Time

• Students write poetry independently in their writing notebooks.

• Confers individually or with small groups.

Sharing/Closure

• Two or three students share their poems or pieces of poems and tell why they chose these entries as inspiration

Notes:

At the end of this unit, students revise and edit three to five poems to publish in take-home books.

 

Fifth Grade Poetry Unit of Study Writing Lesson 1

Filed under: Poetry,units of study,writing workshop — bestbookihavenotread @ 7:38 am
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Writing Lesson 1: Using the Writing Notebook-Collecting Interesting Words

Materials

• Poetry exemplars and anthologies used during Reading Workshop

• Students’ writing notebooks

• Teacher’s writing notebook

Intended Learning

• Students use poetry mentor texts and the world around them to record interesting and engaging words in their writing notebooks to develop a clearer sense of what it means to read and write like poets.

Big Ideas

• Develop awareness of sounds of words and rhythm of phrases.

Mini-Lesson

In her book, Poemcrazy, Susan Goldsmith Wooldridge stresses the importance of collecting words. She is always collecting words (“they’re free”) and writing them in her notebook.

Connection

Explain to students they are surrounded by words, good words, all the time. But unless we slow down and notice, we often miss them. Remind students that, in Reading Workshop, they have begun to notice the way poets use words and phrases to create imagery and emotion. The exercise today will help them as they begin to write poems.

Teaching

Tell students they are about to go on a word hunt. Their job is to look around the room and find interesting, engaging, intriguing words, or words they just like, and write them in their notebooks.

Model by reading three or four words recorded in your own notebook, such as “Yo!,” “wondrous,” “swiped,” or “pling.” Say each word slowly to “savor” the words’ sounds.

Ask students to look around the room for words they can see from their seats, on labels, posters, book covers, posted poems, and so on. Circulate around the room noticing students’ progress.

After a minute or two, ask a few students to share out. Again, enjoy the words’ rhythm and music.

Active Engagement

Give students three or four minutes to move around the room, looking for words and listening to the rhythmic or unique sounds of the words.

Tell students they are to write seven to 10 more words in their writing notebooks. Remind students they do not have to worry about the words’ meaning right now; they just need to pay attention to sounds, rhythms, and music of the words.

When students return to the group, have a few share out one or two of their interesting words. Choose students whose words reflect a variety of word choices, including nouns, verbs, adjectives, adverbs, onomatopoeias, and so on.

Tell students today during independent writing time, they browse through some poems and poetry anthologies on their tables to find more words to add to lists in their writing notebooks. Students may already have poems in their book bags, depending on whether they have done the Reading Workshop Lesson 1: Poetry Pass -An Interview With Poetry .

Independent and Small Group Time

Students work independently or with partners to list possible words.

Sharing/Closure

• Students share with partners some words they found and wrote in their notebooks.

• Several students share out one or two of their favorites with the whole group.

• Close Writing Workshop by rereading one or two mentor poems, savoring—but not discussing—the language.

 

Fifth Grade Poetry UOS materials list March 28, 2010

Filed under: Poetry,units of study,writing workshop — bestbookihavenotread @ 7:25 pm
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  • Materials
  • Student copies of two poems, such as “Packing,” page 43, and “The Photo-graph,” page 19, in My Name Is Jorge: On Both Sides of the River by Jane Medina or other poems of your choice
  • Large variety of poetry books at different reading levels
  • Overhead and student copies of teacher-selected poem with strong concrete imagery, such as “Weeding With Dad,” page 52, in Baseball, Snakes, and Summer Squash by Donald Graves or “The Photograph,” page 19, in My Name Is Jorge: On Both Sides of the River by Jane Medina
  • Overhead and student copies of “Crafting Images” graphic organizer
  • Overhead and student copies of “October Saturday” from Lesson 12
  • More poems reflecting strong emotional element, such as “The Accident,” page 66, and “Giggling in Church,” page 70, in Baseball, Snakes, and Summer Squash: Poems About Growing Up by Donald Graves, “Rags” p. 13
  • Student copies of “Poetry Reflection” worksheet from The No-Nonsense Guide to Teaching Writing, pages 227-228, by Judy Davis and Sharon Hill, or your own reflection form (see end of this lesson)
  • pp. 159-160 The No-Nonsense Guide to Teaching Writing
  • Lesson D-8, “Using White Space in a Poem” from Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Overhead and student copies of notebook entries from Lesson D-8, “Using White Space in a Poem,” Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Lesson I-2, “Create a Poem from a Story,” from Teaching the Qualities of Writing by JoAnn Portalupi and Ralph Fletcher
  • I-3, L-6 from Teaching the Qualities of Writing by JoAnn Portalupi and Ralph Fletcher
  • Lesson D-14, “Use a Double Focus in a Poem,” from Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Student copies of “Grandpa’s Shoes,” from Lesson D-14, “Use a Double Focus in a Poem,” Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Lesson P–17, “Use Fragments When You Write a Poem,” from Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Student copies of “Hockey Practice at 5 a.m.” from Lesson P–17, “Use Fragments When You Write a Poem,” Teaching the Qualities of Writing by Ralph Fletcher and JoAnn Portalupi
  • Chart paper for shared writing poem
  • Source lesson: “Six-Room-Poem” from Awakening the Heart by Georgia Heard
  • Resource: Regie Routman’s Kids Poems
  • Mentor poems about personal experiences or mentor poets who have written about personal experiences or important things in their lives, such as “Autumn Thoughts” or “Aunt Sue’s Stories” in The Dream Keeper and Other Poems by Langston Hughes; or “Weeding With Dad,” page 52, or “Faking It,” page 75, in Baseball, Snakes, and Summer Squash: Poems About Growing Up by Donald Graves
  • Overhead of teacher-created poem about interesting or important topic
  • Chart paper to create “Where Poets Get Their Ideas” chart
 

TCRWP Fall Reunion October 19, 2009

The Teachers College Reading and Writing Project


presents the

Saturday Reunion

October 24, 2009

9:00 am – 3:00 pm

Join the entire Project Community as we open our doors to thousands of educators from New York City and around the world for more than 140 free workshops, keynotes and closings throughout the day on state-of-the art methods in the teaching of reading and writing for grades K-8. Special guest speakers and literacy leaders from all over the country will join us to discuss such topics as: Help Students Think, Talk and Write Well About Reading, Teach Higher Level Comprehension; Use Assessment to Inform Instruction, and dozens and dozens more….

Katherine Paterson
The day will open with a keynote by Katherine Paterson, the author of young adult novels that have uplifted generations of children.  Her stories of perseverance in the face of impossible odds and her treatment of weighty topics, such as death and jealousy, have earned her numerous awards, including the National Book Award for The Great Gilly Hopkins, and the Newbery Medal for Bridge to Terabithia, and Jacob Have I Loved.

Speakers Include:

Lucy Calkins, Founding Director of the TCRWP is the author of many professional books including The Art of Teaching Reading, A Principals Guide to Leadership in the Teaching of Writing, and two series about units of study for primary and upper grade writing.  Her upcoming Units of Study on Teaching Reading for Grades 3-5 (Heinemann, 2009), co-authored with Kathleen Tolan, is due out from Heinemann soon.

Kathy Collins is the author of Growing Readers: Units of Study in the Primary Classroom. Kathy is a frequent guest lecturer at national conferences.  Her latest book is titled, Reading for Real: Teach Students to Read with Power, Intention and Joy in K-3 Classrooms.

Mary Ehrenworth is the author of Looking to Write: Children Writing Through the Visual Arts and The Power of Grammar: Unconventional Approaches to the Conventions of Language. Mary is the Deputy Director for Middle Schools at the TCRWP.

Amanda Hartman is Lead Coach at the Project and has co-authored three works with Lucy Calkins: Authors as Mentors, The Conferring Handbook and One-to-One: The Art of Conferring with Young Writers, as well as a CD-ROM: Conferring with Young Writers.

Laurie Pessah is Senior Deputy Director at the Project and leads study groups for principals, assistant principals, staff developers, and teachers, and she is co-author with Lucy Calkins of Nonfiction Writing: Procedures and Reports and A Principal’s Guide to Leadership in the Teaching of Writing.

Kathleen Tolan is Senior Deputy Director of Reading at the Project.  Kathleen co-wrote a FirstHand series on literacy coaching and co-authored with Lucy Calkins the upcoming Units of Study on Teaching Reading for Grades 3-5 (Heinemann, 2009).

Having found the “storytelling” behind history, our Closing speaker, Joy Hakim, author of the ten-volume series A History of US, will speak about shedding a new light on the teaching of history.  She put “the story” at the center of nonfiction again with her subsequent book, The Story of Science: Einstein Adds a New Dimension.  Her passion and style have brought her wide acclaim and recognition, and her awards include: The 2008 Benjamin Franklin Award for Education/Teaching/Academic, and the 2007 USA Book News’s Best Book in General Science Category.


The Morning Keynote will be held at Riverside Church9:00 a.m.

490 Riverside Drive (between 120th and 122nd Streets)

The remainder of workshops will be held at Teachers College, 525 W.120th Street, NY NY 10027

No registration required.

For more information, visit our Web site at: readingandwritingproject.com


 

 
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